Her artistic practice focuses on bringing to manifestationforms and images that come from the surface that coversdreams, exploring the clues of the unconscious.Sculptures, solo presences or integrating installations thatmake up the space as a stage for the story.Her pieces begin in clay, to reach plaster and then bronze.She has been trained in working with metals, especiallyinternalizing in bronze casting processes.In her pieces there is a succession of white, opaque surfacesand polished sections where the metal shines reflectively.She practices a patient distortion of the form, whichoscillates between identification and strangeness.The fragment and the part appear repeatedly in her work. Sheis interested in the ability of the fragment to express thelack, and at the same time, include the whole. Giving place towhat is not there, to what is not said, to silence.Starting from the break, the imperfection, is a necessity forher.