Pan American Art Projects company logo
Pan American Art Projects
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • Art Fairs
  • PAAP Auctions
  • BLOG
  • Contact
  • About
  • THE STORE
  • EN
  • ES
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • EN
  • ES

Artworks

Jose Toirac, Parque Maceo, 2007-2008

Jose Toirac Cuban, 1966

Parque Maceo, 2007-2008
Photo, acrylic, gold leaf on wood
19.30 x 28.75 in
50.80 x 74.93 cm
Ed. 4 of 5
TOI-008
Inquire
%3Cdiv%20class%3D%22artist%22%3EJose%20Toirac%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EParque%20Maceo%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2007-2008%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EPhoto%2C%20acrylic%2C%20gold%20leaf%20on%20wood%20%3Cbr/%3E%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E19.30%20x%2028.75%20in%3Cbr/%3E%0A50.80%20x%2074.93%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEd.%204%20of%205%3C/div%3E
View on a Wall
Excellent Condition This series arises as an artistic collaboration between José Angel Toirac and Ricardo Elías, after working together on the Orbis series. Working on this previous series, they realized that they could locate the places and the historical moment in which Walker Evans had made his tour of Havana. So they decided to locate and make a pilgrimage, a sort of Via Crucis, to 14 of these places, re-living part of the journey that Evans made in 1933 with the camera at their side, as if it were the cross. Elías would take the current photos from the same angle as Evans, and Toirac would paint the image of an Evans detail in gold leaf. Locating some of these places, more than a pilgrimage, was a true Odyssey, even full of random situations that ended happily. The title of each photo, in addition to being the address of the place, has a numerical sequence that is the date and time that Elias's camera took the photo. The detailed description in the title of each piece was necessary to unveil the magic of reconstructing a historical fact and the cyclical coincidence of the space-time factor. For example, in the photo of Elías in Central Park, he also has the flowers dedicated to Martí (on May 19). But the photo of the Capitol, taken on May 20, Day of the Republic, (which in Evans was full of people celebrating) is now totally desolate since the Revolution erased that date from the calendar of commemorative dates. Significantly, three of those places would be impossible to locate today because the buildings which identified them have disappeared, have collapsed: The one with the balcony in front of the Capitol, for example, no longer exists.
Leer más
Excellent Condition This series arises as an artistic collaboration between José Angel Toirac and Ricardo Elías, after working together on the Orbis series. Working on this previous series, they realized that they could locate the places and the historical moment in which Walker Evans had made his tour of Havana. So they decided to locate and make a pilgrimage, a sort of Via Crucis, to 14 of these places, re-living part of the journey that Evans made in 1933 with the camera at their side, as if it were the cross. Elías would take the current photos from the same angle as Evans, and Toirac would paint the image of an Evans detail in gold leaf. Locating some of these places, more than a pilgrimage, was a true Odyssey, even full of random situations that ended happily. The title of each photo, in addition to being the address of the place, has a numerical sequence that is the date and time that Elias's camera took the photo. The detailed description in the title of each piece was necessary to unveil the magic of reconstructing a historical fact and the cyclical coincidence of the space-time factor. For example, in the photo of Elías in Central Park, he also has the flowers dedicated to Martí (on May 19). But the photo of the Capitol, taken on May 20, Day of the Republic, (which in Evans was full of people celebrating) is now totally desolate since the Revolution erased that date from the calendar of commemorative dates. Significantly, three of those places would be impossible to locate today because the buildings which identified them have disappeared, have collapsed: The one with the balcony in front of the Capitol, for example, no longer exists.
Close full details

Provenance

The Artist

Publications

DOCUMENTATION

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Anterior / Anteriores
|
Siguiente
3666 
de  6696
Privacy Policy
Manage cookies
Copyright © 2025 Pan American Art Projects
Site by Artlogic
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Instagram, opens in a new tab.
LinkedIn, opens in a new tab.
Artsy, opens in a new tab.
Send an email
Ver en Google Maps

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences