Pan American Art Projects company logo
Pan American Art Projects
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • Art Fairs
  • PAAP Auctions
  • BLOG
  • Contact
  • About
  • THE STORE
  • EN
  • ES
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • EN
  • ES
Lorena Gutierrez Camejo
Cuban, 1987

Lorena Gutierrez Camejo Cuban, 1987

  • Resumen
  • Obras
  • Biografía
  • Exposiciones
  • Eventos
  • Enquire
  • Related content
  • Series
Lorena Gutierrez Camejo, El rostro del suicida en el espejo, 2023

Lorena Gutierrez Camejo Cuban, 1987

El rostro del suicida en el espejo, 2023
Acrylic on canvas, original ties of public officials who left office, wood chair, wire
Dimensions variable
790-2419
Copyright The Artist
Inquire
%3Cdiv%20class%3D%22artist%22%3ELorena%20Gutierrez%20Camejo%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EEl%20rostro%20del%20suicida%20en%20el%20espejo%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20on%20canvas%2C%20original%20ties%20of%20public%20officials%20who%20left%20office%2C%20wood%20chair%2C%20wire%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EDimensions%20variable%20%3C/div%3E
The artist proposes questioning the pre-established criteria of suicide and its direct relationship with the most vulnerable social structures. In reality, the statistics show the opposite and point precisely to...
Leer más
The artist proposes questioning the pre-established criteria of suicide and its direct relationship with the most vulnerable social structures. In reality, the statistics show the opposite and point precisely to the highest castes of the social pyramid, where solvency is mainly not a concern.
It is almost impossible for us ever to know the real causes for the resignation of many officials involved in power structures that are tottering or what the factors that motivate them never again to form part of the mechanism where ethics and dignity are compromised.
In this work, the artist uses the tie as a fashion accessory that marks and distinguishes a social status. Using these fashion symbols to question power and its visual projection is recurring in Lorena Gutiérrez’s discourse. For this reason, she highlights the double function of the tie: as a garment and/or method of pressure, suffocation, or lethal weapon.
Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Anterior / Anteriores
|
Siguiente
6 
de  12
Privacy Policy
Manage cookies
Copyright © 2025 Pan American Art Projects
Site by Artlogic
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Instagram, opens in a new tab.
LinkedIn, opens in a new tab.
Artsy, opens in a new tab.
Send an email
Ver en Google Maps

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences