Born Buenos Aires, Argentina.
Currently lives and works in New York, New York
EDUCATION B.F.A. Escuela Nacional de Bellas Artes, Buenos Aires
SELECTED SOLO EXHIBITIONS
2009
Sherezade. DUMBO, sponsored by Two Trees Management, New York
Sherezade. Bodega O. Fournier, Mendoza, Argentina
2008
Solo Exhibition. CAMAC, Marnay-sur-Seine, France
2007
Solo Exhibition. Pan American Projects, Miami, FL
2006
Solo Exhibition. Sara Zanin Gallery, Rome
2005
Solo Exhibition. Haim Chanin Fine Arts, NY
2004
Solo Exhibition. Annina Nosei Gallery, NY
2003
Pending. Haim Chanin Fine Arts, New York, NY
Flight. 55 Washington St, DUMBO, Brooklyn, NY
2001
Solo Exhibition. Fondo Nacional de Las Artes, Buenos Aires, Argentina
1998
Solo Exhibition. Centro Cultural Recoleta, Buenos Aires, Argentina
1997
Solo Exhibition. Argentine Consulate, New York, NY
Centro Cultural Recoleta, Buenos Aires, Argentina
1992
Solo Exhibition. Vincent's Obsession Gallery, Boston, MA
SELECTED GROUP EXHIBITIONS
2008 – 2010
Grifiss Sculpture Park, Rome, NY
2008
Haim Chanin Fine Arts, New York
Zemos 98, Video Festival. Sevilla
Project 59 Video Festival. Galeri Petronas, Kuala Lumpur
Project 59 Video Festival. Research Laboratory, University of Texas, Austin
2006
Blueroom and Video Projects. American Academy in Rome
Art Under the Glass. Macy’s New York, Windows Project, NY
Canarias Mediafest, Gran Canaria
Palm Beach International Sculpture Biennale. The Cultural Campus, Wellington, FL -1st Prize-
MTA Arts For Transit. Finalist for 231st Street Station –Broadway Line, Bronx
Bellevue Sculpture Exhibition. Bellevue, Washington
Black and White Abstractions. Haim Chanin Fine Arts, New York, NY
The New York Museum of Water, NY
Architecture of a Dream (video). River’s Edge Film Festival, Paducah, Kentucky
Hell on Reels. Astoria Moving Picture Festival, NY
59 Seconds Video Festival. NY
Plugged In Fest III. Center for Maine Contemporary Art, Rockport, Maine
2004
Sculpture in Four Dimensions. Museum of the Americas, OEA, Washington DC
Premio Telefonica. Fundacion Telefonica de Argentina, Buenos Aires
2003
Summer Reverie. Haim Chanin Fine Arts, NY
Group Exhibition. Annina Nosei Gallery, NY
2002
Parsing The Line. The Work Space, NY
Group Show. Annina Nosei Gallery, NY
2001
Premios 1998-2000, Fondo Nacional de la Artes, Buenos Aires
Centro Cultural Recoleta; Buenos Aires
2000
Selected Files.El Museo del Barrio, New York, NY
Miura Museum of Art Latin-American Contemporary Art Exhibition 2000.Matsuyama City, Japan
Promo-Arte Gallery, Tokyo, Japan
Visible-Invisible. Nohra Haime Gallery, New York, NY
1999
Kiron Espace, Paris, France
Briggens Museum, Bergen
1998
Deutsche Bank Prize, Buenos Aires, Argentina
Fundacion Telefónica de Argentina, Buenos Aires, Argentina
1997
Fondo Nacional de las Artes, Buenos Aires, Argentina
1996
Fondo Telefónica de Promoción a la Pintura Joven, Buenos Aires, Argentina
SELECTED BIBLIOGRAPHY
2006
Cassidy, Victor M. “Warck Meister’s Invisible Cities”, CAC Chicago, Volume XXXIII, Number 6, June 2006
Wyndham, Constance. “DiVA” Front Page, Art in America, New York, April/May 2006
2005
Kartofel, Graciela. "New Work of Lucia Warck Meister", ArtNexus, Bogota, Colombia, March 2005
Korchak, Diana. "Lucia Warck Meister", The New York Art World, New York, January 2005, Vol 8 Nº 5
Merino, Juan. El Diario/La Prensa. Mirador Cultural, New York, January 2, 2005
2004
Angeline, John. "Pending", ArtNexus, Colombia, Bogota, Nr. 53, Volume 3, July-September 2004.
Perazzo, Nelly, "El hilo, los hilos", Tema, Academia Nacional de Bellas Artes, Buenos Aires, 2004
2003
Gutierrez, Santiago. “FLIGHT”, Divino Magazine, November 2003, p.24, illustrated.
Rosenblum, Amy. “Corporeal Intelligence”, New York, 2003, exhibition catalogue
Vicente, Mercedes. “The Ineluctable Weight of Living”, New York, October 2003, exhibition catalogue
2002
Johnson. The New York Times, April 19, 2002
Schmerler, Sarah. "Parsing The Line", Time Out, New York, May 2-9, 2002, p.63, illustrated
2001
Cappellazzo, Amy. "Under the Blue Sky", Miami, May 2001, pp.6,7-10,11, exhibition catalogue, illustrated
Damian, Carol. Lucia Warck-Meister, ArtNexus , Bogota, Colombia, 2001, # 42, vol. 4, p.124, illustrated
Dieguez Videla, Albino. La Prensa, Buenos Aires, November 2001
Feinsilber, Laura. "Logra inquietar la potente obra de Lucia Warck-Meister", Ambito Financiero, Buenos Aires, December 2001
Galli, Aldo. "Atmósferas Caligráficas", La Nación, Buenos Aires, November 2001, Art Section
Jarauta, Francisco. "Light labyrinths, Blue mirrors, Predictable falls", Fondo Nacional de las Artes, Buenos Aires, November 2001, pp.6-7, exhibition catalogue, illustrated
Oliveras, Elena. "Light labyrinths, Blue mirrors, Predictable falls", Fondo Nacional de las Artes, Buenos Aires, November 2001, pp.9-17, exhibition catalogue, illustrated
Whitelow, Guillermo. "Light labyrinths, Blue mirrors, Predictable falls", Fondo Nacional de las Artes, Buenos Aires, November 2001, pp.4-5, exhibition catalogue, illustrated
2000
Angeline, John. "S-Files", ArtNexus, Colombia, Bogota, October-December 2000.
Oliveras, Elena. "Lucia Warck-Meister", ArtNexus, Bogota, Colombia, November-January 2000, # 34, illustrated
Varela, Sergio. "La mujer Araña", El Planeta Urbano, November 2000, illustrated
1999
Damian, Carol. "Art Miami '99", ArtNexus, Bogota, Colombia, February-April 1999, # 33, pp.92-94, illustrated
Fevre, Fermín, Whitelow, Guillermo. "Premio a la Creatividad", Fondo Nacional de las Artes, Buenos Aires, 1999, exhibition catalogue, illustrated
Oliveras, Elena. "Los senderos de las telas de araña", Clarin, Buenos Aires, June 1999, p.72, illustrated
Oliveras, Elena. "La Escultura sin limites", Revista Lapiz, Madrid, 1999, # 158/159, illustrated
Verlichak, Victoria. "Lucia Warck-Meister", ArtNews, New York, October 1999, p.203, illustrated
1998
Negri, Susana. "Amoraraña o la paradoja de la fragilidad", Arte y Antigüedades, Buenos Aires, 1998, illustrated
1997
Arestizabal, Irma. "Lego de spinis rosam", Madrid, February 1997, exhibition catalogue, illustrated.
Fevre, Fermín. "Envio Argentino: El Fondo Nacional de las Artes en ARCO'97", Cultura, Buenos Aires, Special edition, 1997, illustrated
Whitelow, Guillermo. "Cuatro Aspectos de la Pintura Argentina Contemporanea", Fondo Nacional de lasArtes, Buenos Aires, 1997, exhibition catalogue, illustrated
1996
Whitelow, Guillermo. "Premio Fundacion Telefonica de Argentina", Buenos Aires, 1996, exhibition catalogue, illustrated
1994
Feinsilber, Laura. "a,e,i u o Recoleta alberga una excelente muestra de nuevas tendencias", Ambito Financiero, Buenos Aires, 1994
Verlichak, Victoria. "Idioma de Objetos", Revista Noticias, Buenos Aires, 1994.
1992
Cernadas Quesada, Alfredo. "Beauty and Vigour", Buenos Aires Herald, Buenos Aires, June 1992
Dibar, Carlos. "Es-Cultura la Pintura?" El Cronista, Section:El Cronista Cultural, Buenos Aires, May 1992, p.16, illustrated
SELECTED GRANTS AND AWARDS
2007
Sculpture Space Residency, Utica, NY
American Academy in Rome, Visiting Artist, Rome, Italy
2005
Residency: School of Visual Arts, NY, Residency in Public Art
COLLECTIONS
Amalia Lacroze de Fortabat, Buenos Aires, Argentina
MEIAC –Museo Extremeño e Iberoamericano de Arte Contemporaneo-, Badajoz, Spain
Deutsche Bank Art Foundation
Fundacion Telefonica de Argentina
The Taplin Collection, The Sagamore Hotel Video Lounge, Miami, FL
